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 Surgical Sculpture

 


Climbing, pruning, slicing, felling and shifting 
the limbs and trunks of trees around London and 
East Sussex has helped Joc Hare develop a 
unique approach to utilising arboricultural waste

With a wealth of experience handling big bits of wood and kit, plus a resourcefully inventive imagination, Joc now combines his arboricultural skills with wood sculpting. Based in a combined workshop and gallery in St Leonards-on-Sea, tucked away amongst mews workshops, Joc produces stunning and often playful work.

Many years spent chainsawing timber into short sections or slices for removal during arboricultural operations, combined with a desire to make good use of high quality, sometimes rare timber, gave Joc the raw materials and fundamental inspiration for his sculpture. He has no formal wood-working or art school training, resulting in a refreshing approach to reinventing wood. 

Joc purposefully leaves chunks of wood to season in the heat of the sun or in front of his wood burner accelerating any movement and splitting - to let the wood speak for itself - before he sculpts into a final form. He ingeniously adapts workshop machinery to suit his sculpting needs – a spindle moulder transformed into a vertical lathe, a sanding table into the ‘Parallelatron’ chainsaw mill.  The end result - a diverse range of products – often both sculptural and useful, with an elegance that never ‘out-designs’ the fundamental nature of the wood.

Visit Joc’s weekly Jam Gallery, open every Saturday between 12 mid-day and 5pm and seek out his public work in Summerfield Woods in Hastings - just behind the Hastings Museum (which is also worth a visit to walk through the Brassey Durbar Hall, a beautifully hand-carved teak Indian Palace created for the Colonial & Indian Exhibition of 1886 at South Kensington).  

Look out for Joc in East Sussex Wood Season 2005. 
Joc Hare, 01424 434848, Unit 16 Harold Mews, Mews Road, St.Leonards on Sea, www.logjam.net, logjam@logjam.net


A seat made from wood collected from the beach on 14th November 2002, the cargo of the stricken vessel Bothnia Stone. A labyrinth and compass structure indicate the 19 days the timber floated up the English Channel on tides and currents. At Rye Harbour Nature Reserve
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